Mary Katrantzou’s Spring/Summer 2026 collection arrives as a sunlit counterpoint to midwinter New York, offering a vivid escape to Mediterranean evenings steeped in warmth, color, and ritual. Rooted in what the designer describes as a form of domestic escapism, the lookbook draws from the art of the summer table those intimate, carefully composed moments of hosting that unfold across Greek villas and Italian terraces. Splitting her time between Athens and Florence, Katrantzou channels the understated poetry of al fresco living into a high-fashion language that feels both indulgent and deeply personal.

For Resort 2026, Haider Ackermann reimagines the Tom Ford universe as a study in movement, an elegant choreography where control and sensuality exist in constant dialogue. Though presented through still imagery rather than a runway, the lookbook hums with latent energy, each frame suggesting motion, rhythm, and intention. First unveiled in Milan, the collection reflects Ackermann’s precise understanding of Ford’s legacy, filtered through his own language of refined tension and modern poise.

Yohji Yamamoto’s Fall/Winter 2026–27 menswear presentation unfolded as a deeply introspective meditation on emotional endurance, positioning clothing as both refuge and resistance. Set against a stark stage animated by double-ended boxing balls, struck by some models, and respectfully bowed to by others, the show articulated a philosophy of confrontation rather than suppression. In Yamamoto’s world, peace is not achieved through denial, but through the courage to face inner turmoil head-on. Fashion, here, becomes a form of psychological armor, designed to protect the body while honoring the invisible marks life leaves behind.

For Fall/Winter 2026–2027, Mike Amiri sharpened the house’s signature codes into a confident meditation on modern masculinity, where West Coast glamour meets disciplined tailoring. Presented as a cinematic runway experience, the collection reaffirmed Amiri’s position as a brand that thrives at the intersection of rock-and-roll heritage, luxury craftsmanship, and contemporary polish.

Rejecting the pace and scale that often characterize Copenhagen Fashion Week, Skall Studio chose deliberateness over velocity for its Fall/Winter 2026–2027 presentation. Titled Karen Blixen’s Flowers, the show unfolded as a quiet, inward-looking encounter; less runway spectacle and more shared moments, where atmosphere, memory, and emotional restraint took precedence over momentum.