At Paris Couture Week, Tamara Ralph unveiled a Fall/Winter 2025–2026 haute couture collection that shimmered like a jewel box of Art Deco dreams—elegant, architectural, and meticulously adorned. Drawing on the symmetry, glamour, and geometry of the 1920s and ’30s, Ralph sculpted a world where craftsmanship met cinematic fantasy, channeling an era of design purity while pushing couture into bold new territory.

With its Resort 2026 collection, Beaufille ushers in a new era—one defined not by fashion’s traditional tempo, but by the brand’s own rhythm. Sisters and cofounders Chloé and Parris Gordon are boldly reimagining their label’s design cadence, shifting to four focused drops a year. The result? A collection that feels nimble yet intentional, unbound by retail norms and driven by creative immediacy.

In her latest Resort offering for Chloé, Chemena Kamali sharpens the brand’s signature softness into something more sculptural, more cinematic—yet no less soulful. Resort 2026 marks a season of quiet recalibration: the romantic spirit remains, but it’s cast in chiaroscuro light, filtered through the grain of 1980s avant-garde cinema and the textured mood of vintage runway archives.

For Spring Summer 2026, Queen&Jack enters a new era—where softness meets subversion, and elegance is charged with quiet rebellion. The collection unfurls as a study in contrast, merging poetic silhouettes with an undercurrent of edge. Here, duality isn’t decorative—it is directional.

Within the frescoed salons of the Opéra Comique, Peet Dullaert returned to Paris Couture Week with a presentation that rejected noise in favor of nuance. For Fall Winter 2025–2026, the Dutch couturier conducted a runway experience not with music, but with silence—allowing garments to speak in gestures, movement, and material poetry.