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OTSMAGAZINE

For Fall/Winter 2026-2027, Alessandro Michele brings Valentino back to Rome through Interferenze, an evocative campaign that rejects the traditional postcard image of the city in favour of something more fragmented, intimate, and provocative. Conceived with art directors Ezra Petronio and Lana Petrusevych of Petronio Associates and photographed by Glen Luchford, the campaign features Apolline Rocco Fohrer, Dario Tonin, George Anderson, Joe Bottomer, and Qiuyue Li moving through a warehouse populated by monumental fragments of classical sculpture.
Valentino FW26-27 Campaign: 'Interferenze', Where Rome Becomes a Living Archive
Versace unveils its Fall/Winter 2026-2027 campaign, Versace Obsessed, Chapter II, photographed by the legendary Steven Meisel, as a compelling continuation of the House's evolving visual narrative. Rich in cinematic allure, the campaign celebrates the enduring magnetism of Versace, reconnecting its celebrated heritage with a new generation through a striking dialogue between past, present, and future.
Versace FW26-27 Campaign: An Obsession with Legacy and Modern Desire
 Proenza Schouler’s Fall Winter 2025–2026 campaign unfolds as a cinematic meditation on restraint, architecture, and memory. Shot by Tim El Kaïm in the same mid-century New England home that staged the fall lookbook, the imagery functions less as promotion than as a quiet summation of Jack McCollough and Lazaro Hernandez’s tenure at the house.
Proenza Schouler FW25-26 Campaign: An Elegy in Light and Form
In its Fall Winter 2025–2026 campaign, Ermanno Scervino distills elegance to its quietest, most deliberate form. Natalia Vodianova, framed by the unerring lens of Mikael Jansson, inhabits a world stripped of spectacle yet rich with suggestion – a space where style whispers rather than declares.
Ermanno Scervino FW25/26 Collection: The Discipline of Elegance
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