Bangkok became a spectacular meeting point for fashion, culture, and fine jewellery on 8 August 2026, as the WEIBO Cultural Night in Thailand brought together some of Asia's most celebrated entertainment figures at Siam Paragon's Paragon Hall.

Transformation has always been at the heart of Bvlgari’s Serpenti, not as a trend, but as a philosophy. In the House’s new Serpenti campaign released in January 2026, that spirit of constant renewal is brought to life through the luminous presence of global ambassadors Anne Hathaway and Priyanka Chopra Jonas.

Cartier’s Spring 2025 campaign for Juste un Clou strikes a daring chord—minimalist in presentation, maximal in meaning. At its heart is Emma Corrin, the boundary-defying actor and model whose androgynous allure and quiet intensity channel the rebellious spirit of Cartier’s most subversive collection. In casting Corrin, Cartier doesn’t just select a face—it aligns with a philosophy: one that refuses to conform, that celebrates elegance as an act of resistance.

Shot by the masterfully restrained lens of Kayla Connors, the campaign distills the essence of Juste un Clou into stark, emotionally charged studio portraits. There are no gilded halls or staged decadence here. Instead, Connors focuses the viewer’s attention on shadow, shape, and substance. Against bare backdrops, the gleam of metal becomes visceral—a literal nail bent into high art—and Corrin’s expressive gaze does the rest.

Isabelle Kountoure’s wardrobe styling is a study in tension and texture. From sharply tailored blazers to fluid, nearly translucent fabrics, Corrin wears pieces that blur the line between vulnerability and power. The jewelry—those unmistakable curved nail bracelets, angular rings, and elongated earrings—is worn not as adornment, but as armor. It clinks and stacks with intention, creating a visual language that is both architectural and anarchic.

Gina Kane and Daniel Martin round out the transformation with an aesthetic that lets Corrin’s authenticity lead. Kane’s makeup is nuanced, luminous, and nearly invisible—designed to amplify rather than conceal. Martin’s hair styling eschews polish for purpose, embracing lived-in texture and motion. The result is quietly potent—beauty redefined on its own terms.

What emerges from this campaign is more than imagery—it’s a manifesto. Juste un Clou, with its punk-tinged elegance and industrial roots, has always spoken to those who challenge convention. In Corrin, Cartier has found a muse who personifies the collection’s evolution: modern yet timeless, nonconforming yet precise, bold in silence as much as in statement.

As Cartier strips back the spectacle to spotlight raw elegance and deeper identity, it makes one thing clear: Juste un Clou isn’t just jewelry. It’s a refusal to fit the mold. And Spring 2025? It’s nailed the message.

 SHAY's Christmas 2024 ad, which combines California's easy warmth with Hollywood glitz, is stunning. The luxury jewellery brand uses model Daniela Braga as its face, photographed by Bryce Thompson in sunny Los Angeles.

 Louis Vuitton and Ana de Armas are back again for a jaw-dropping commercial featuring jewellery from Le Damier de Louis Vuitton. The premium jewellery company is launching its first-ever Fine Jewellery collection this time around, which is centred around its recognisable Damier design.

Giorgio Armani's exquisite jewellery presents the Blanche collection, a floral-inspired line that honours the Sambac jasmine. The collection is bursting with beauty. This unusual flower, which is native to Asia and has been grown in Italy since the fifteenth century, gives the designs a touch of nature.

Vibrant peridot, diamonds, and milky agate are among the collection's vivid hues, which echo the delicate yet lively elegance of the Sambac jasmine. These materials are combined to create elegant, sophisticated designs that range from bold earrings to delicate necklaces, ear cuffs, and rings.